Background

A Pool Hustler's Daughter grows up in subterranean America. She dreams big, hustles daily and loves her Daddy. With empathy, fascination and grace she navigates and inhabits every tier of society; sees beauty and hope and magic in all things; respects and lives by the "mitzvah."
A Pool Hustler's Daughter calculates the trifecta payout at the racetrack, hides money on three parts of her body, has an arsenal of "Uncles," and keeps a baseball bat by the front door. She values friendship, loyalty and experiences over "things." Like her father, she seeks to learn "The secrets of the universe" and believes "Life ain't on the square." She applauds the self-made and those who learn to "overcome" their circumstances. Her door is always open for a sofa to sleep on, a hot meal, or an eager listener for a life story.
























Monday, October 3, 2016

Photographers Danny Lyon and Helaine Garren both captured American Outsiders

I had the great pleasure of catching the Danny Lyon photography exhibit at the Whitney museum in NYC. Lyon was a Brooklyn kid who attended the University of Chicago and shot a lot of his best work around Chicago. He's most famous for his series "The Bikeriders" and also a short series on Uptown Chicago in the early 60s. Just a quick note - the history of Uptown includes a large Hillbilly contingency(I think there might be one honky tonk bar left.) You know who told him to shoot in Uptown? Hugh Edwards, famous Art Institute of Chicago photography curator and professor. He's mentioned in the exhibit at the Whitney. You know who else was Edwards' student? The late Helaine Garren, who captured the outside world of Bensinger's pool room and my father in 1972. Hugh Edwards was so taken with Helaine's work that he purchased a large stack of her photos. Danny Lyon is known for capturing "outsiders" in America, and you know what, Helaine Garren, a peer of his, achieved the very same damn thing with pool hustlers. Here's a photo from the Lyon's show(on its way to San Fran next) called "Navajo Boy." Once I saw Hugh Edwards name up at The Whitney, and saw this pool photo, I felt Helaine with me and that I owed her so much for teaching me about photography and the great Danny Lyon of which she was a huge fan. Can we all agree that Helaine Garren and Danny Lyon are on par with one another? That Helaine deserves her own, "aha" moment, even if it only arrives after her passing? Helaine Garren is the High Art Godess of Pool and deserves proper recognition. In honor of her New Year, I pledge to keep educating the world with how remarkable she was, and how special, alive and important her gorgeous works of art are. She deserves her own Whitney show, her own book and her own acknowledgment. It's her time. I just wish it had come sooner, but, thank god, art is forever...Danny Lyon's excellent photograph, "Navajo Boy" is on the right, Helaine Garren's photograph of my late father and Peaches is on the left. They're side by side like they should be - peers...XXOO

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